Jack Rackham (
jackrackham) wrote2020-02-17 07:08 pm
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Why should I not? Doth he not deserve well? (for John)
Jack arrives at the archive cautiously, early in the morning, for the first time hoping that Eliot won't be here. He's looking for Martin, because he needs advice and can't think of anyone else that might give a damn about modern social mores around giving gifts. Martin likes to be helpful, and he's ostensibly friendly with Eliot, so he's definitely the best option that he has today.
Only, as the little bell on the door announces his arrival, he realizes that no one is here. No Martin, no Eliot, no anyone. He steps in, and heads for Martin's office to make sure he's not there. He finds an empty desk, a stack of files arranged neatly on one side. He could just grab them and leave with some interesting reading, but that's not what he's here for.
He heads towards the back, thinking that maybe everyone is going through boxes, but he stops when he hears a voice through the other office door. He knocks gently. No answer, so he opens the door and finds John sitting behind his desk, reading aloud. He hasn't had much time to speak with the man, but he recognizes him, knows him as Martin's partner in this business venture...or whatever The Archive actually is.
"Oh, I was looking for-" He stops. John is still reading. He doesn't look up, so Jack takes another step towards the desk. "Hello?"
Only, as the little bell on the door announces his arrival, he realizes that no one is here. No Martin, no Eliot, no anyone. He steps in, and heads for Martin's office to make sure he's not there. He finds an empty desk, a stack of files arranged neatly on one side. He could just grab them and leave with some interesting reading, but that's not what he's here for.
He heads towards the back, thinking that maybe everyone is going through boxes, but he stops when he hears a voice through the other office door. He knocks gently. No answer, so he opens the door and finds John sitting behind his desk, reading aloud. He hasn't had much time to speak with the man, but he recognizes him, knows him as Martin's partner in this business venture...or whatever The Archive actually is.
"Oh, I was looking for-" He stops. John is still reading. He doesn't look up, so Jack takes another step towards the desk. "Hello?"
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"Alright," he nods, and by the time he's following John out of the office, his offence has made the decision for him. "It wasn't a bribe,' He says, "I was under the impression that I'd given the Archive money in return for a service. One that has not been particularly forthcoming. Christ, a bribe. If Martin thinks that's what that was, no wonder he hasn't been particularly forthcoming on his end of the deal." He sighs. He really had thought that he'd handled that situation well, but is seems that Martin had other ideas.
He tips his head down and rolls his shoulders forward into an aggrieved slouch as John begins to fiddle with the kettle. "Maybe I shouldn't have come to Martin for advice."
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"There are only so many services we can legally provide," John says evenly as he goes about filling the electric kettle and starting it heating. "Especially given the variable contents of the files. Setting aside the privacy issue of giving you access to files that aren't yours, there are potential liability issues on our end. If a file contained... I don't know, poison or something, we would be held responsible for your exposure. For example."
With Jack not being here for Eliot, John had rather assumed he intended to have another go at their immigration files (and there is, perhaps, an argument to be made that they're not as beholden to honoring the privacy of individuals who are no longer in the city, if push came to shove). Hearing that he's actually after advice is a surprise, and John throws him a startled look.
"Advice?" he echoes. Then, before he can think better of it: "What about?"
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"Modern social rules?" He blows out a flustered breath. "Eliot has given Anne and me a number of very thoughtful gifts, and I had thought to return the gesture. We were all...ah, we were at a botanical exhibit last week and Eliot made special note of a particular rose, so..." From the inside of his coat, Jack pulls out a linen handkerchief embroidered with a spray of pink roses. It's not quite finished- a green thread is still attached, the needle tucked carefully into the fabric. He shows it forward to John. "I have some skill in embroidery and I do think that he would appreciate it but-" Jack looks down at his work. It had taken a lot of very careful work, and he'd only realized today that it could be taken the wrong way. "...is this romantic? Eliot fucks men and I wouldn't want him to think that I'm making any kind of overture."
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John grunts in sympathy at modern social rules. Tricky enough to navigate when you have modernity on your side, let alone when you've been thrown a few centuries off your usual mark. Martin would indeed be a better source on the matter, John thinks, but Jack keeps going at a clip, pulling an embroidered handkerchief out of his pocket. John blinks down at it in surprise — Christ, can most pirates do that sort of thing? — and then his gaze flicks back up to Jack as he lands on a concrete question. A question which is immediately followed by such a blunt assessment of Eliot's proclivities that John has to smother a startled cough.
"Wh—I, er," he starts, glancing between Jack and the embroidery as he struggles to pick one point of initial focus, "I supp—Jesus, that's really quite good." The embroidery ends up winning out, and John leans in to take a closer look. "You've done all this in under a week?"
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John straightens, then turns back to the tea station so prepare them each a cup. "Eliot does have a rather developed sense of style," he muses as he plunks a teabag in each mug and pours hot water over them, "so that does seem like the sort of gift he would appreciate. As to whether it's romantic..." John cants his head briefly, then shakes it. "I'm of the opinion that nothing is inherently romantic, quite frankly. If that isn't your intention, then that isn't what it is." The alternative — that some otherwise neutral gestures are off-limits because someone, somewhere, might potentially get the wrong idea — is absurd.